Sunday, November 28, 2010

Chejara:

Chejara: The solid Mandala, is densely overlaid with thematic interpretations and readings of the narrative. Most of these themes are textually worked out through the twins, Waldo and Arthur. As a result, much overlapping of thematic possibilities takes place. As a framework to explore the possibilities this novel lays open, several of the thematic preoccupations of this novel have been listed. It is for us to add to or take away from this list as our own reading breaths life into this thematic skeleton and fills it out with the flesh and blood of the character's actions and thoughts.
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Saturday, November 27, 2010

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R. K. Narayan : Irony and humour in the stories

An innate sense of irony, humour and the complete absence of pomposity and pretence is what makes Narayan the writer he is. Narayan's good- humoured irony as a firm ally of serious moral concern creates thoughtful fiction which has its center in Malgudi but has a circumference embracing the entire human condition. "Irony is like shot silk showing different colours as it catches the light at different angles, and Narayan is above all a master of irony". His world may be regional in that it conveys an intimate sense of a given place but it is not parochial or shuttered. His works create a comedy of sadness, suffused with a pure and unaffected melancholy but also lighted with the glint of mockery of both self and others. William Walsh sums up Narayan's art as "exact realism, poetic myth, sadness, perception and gaiety -- It is kind but unsentimental, mocking but uncynical,profoundly Indian but distinctively individual. It fascinates by reason of the authenticity and attractiveness of its Indian setting and engages because of substantial human nature which it implies and embodies".
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Monday, November 22, 2010

Chejara: Don't just Refer !! Duplicate

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Saturday, November 20, 2010

Chejara: Are you still promoting programs after programs in...

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Wednesday, November 17, 2010

Chejara: Worried aboup money?

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Friday, November 12, 2010

Jimmy as the Angry Youngman

The term Angry Youngman coined to describe the condition of unfocussed, but all pervasive resentment and frustration that many saw as the defining character of post war youth, soon became a catch phrase in its application not just to Jimmy but to all other subsequent characters like him in literature, drama and cinema and was not restricted to Britain. Jimmy is not just a voice for Osborne's view since right from the begining of the play he is presented with irony. It is not being here suggested that Jimmy is a hypocrite or that his feeling are no more than a desire for attention from the other character and the audience, but rather that an element of posturing is inseparable from the very concept of the angry young man. If nothing else this makes such a characte more human and fallible and endears him to the spectators, since an essential condition for the success of the character is that he be easily identified with, an aim that is part of the play's thurst towards feeling as being more honest and more difficult to attain to, than thought is. One of Jimmy's characteristics is a lack of awareness, partly his ignorance of Alison's pregnancy and partly the failure to realize how his own values are subject to criticism he makes of colonel Redfern's how wrong he is to suppose Alison cold and impersonal. Self pity is another evident trait, as in the scence where he attempts to offer a crudely psychoanalytic explanation for his misogyny, tracing it to his mother's neglect of his dying father. All the same, Jimmy is far from lacking in either sincerity or in biting wit.
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Thursday, November 11, 2010

Chejara: Make money step by step

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Monday, November 8, 2010

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Sunday, November 7, 2010

Chejara: The State of Indian English Drama

Chejara: The State of Indian English Drama: "There are many challenges that the Indian English playwright faces - from the lack of opportunity and trained actors and sponsorship to the ..."
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Chejara: The State of Indian English Drama

Chejara: The State of Indian English Drama: "There are many challenges that the Indian English playwright faces - from the lack of opportunity and trained actors and sponsorship to the ..."
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The State of Indian English Drama

There are many challenges that the Indian English playwright faces - from the lack of opportunity and trained actors and sponsorship to the demands made by the language itself. The audience and theatrical companies that want plays in English have always had the choice of British and American plays available to them. Hence Indian English drama hasn't grown in the way drama in other Indian languages have. The history of Indian English drama demonstrates the presence of individual talents and sporadic theatrical activity. Like other genres in the language, Indian English drama shows the impact of British colonialism on Indian intellectual to re-imagine India and the Indian, Always a drama of the middle and upper classes, Indian English drama seeks more and more to be a drama of local spaces and communities. Indian English drama has an in-built inhibiting factor-the fact that most of our life is spent speaking other languages. English is usually associated with cetain functional spaces-certain offices or academic institutions. Even in these spaces English is not even the only language used any longer, except in written documents. Though these may have great impact on our lives, think of exam results for instance, the dramas of our lives are played out in a melange of languages, very often in languages other than English. Indian English theatre still feels part of the construction of the nation and national identity. The history focus not the nation as a whole, or even make the construction of the nation an overt part of their theatrical agenda, but those who focus on cetain communities classes, local situations.

Saturday, November 6, 2010

The Indianness of Indian English Literature

Indian English literature began as a by product of the Indo- British encounter. Indians first started learning English for the purpose of trade and commerce. Expository prose writing, letters and speeches were the first to be published. The first Indian author in English, Dean Mahomet, published his memories, The Travels of Dean Mahonet, in 1794. There have been outstanding Indian orators like Vivekananda, Tilak and Srinivasa Sastri. Indians have published biographies, autobiographies, travelogues and humorous sketches in addition to scholarly monographs in various fields of knowledge. Many of the contemporary novelists and poets have written good prose. But the achievement in poetry and fiction have drawn attention away from non fiction prose writings. Prose can be used for a variety of non fictional purposes. Indians have used it for political propaganda, for writing history and philosophy, and for bringing about social change. Indians have written biographies, autobiographies and travelogues in English. Then there is the field of belles letters, light personal essays. Vivekananda used brisk prose for putting across his ideas. He was a very good public speaker. Speaking demands short, easily understood sentences. Sri Aurobindo and Ananda Coomaraswamy liad the foundation for an Indian school of literary criticism based on Sanskrit poetics. Their prose style reveals the carefully balanced, ratiocinative prose which is the hallmark of a scholar. Gandhiji as a thinker, his concept of 'Hind Swaraj' is especially important in the modern age, which is the era of globalization. Nehru shows that different categories of prose are not mutually exclusive when narrating his prison experience, one finds beautiful descriptions of nature. And he can analyse this thought even in the midst of describing the swift course of events, combining expository and narrative prose.
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Chejara: Aristotle Life And Work

Chejara: Aristotle Life And Work: "Aristotle is one of the greatest men of letters in the world. He was a great genius who is supposed to have written about 400 books. Many of..."
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Friday, November 5, 2010

Aristotle Life And Work

Aristotle is one of the greatest men of letters in the world. He was a great genius who is supposed to have written about 400 books. Many of his works are not treceable. Even the Poetics, his greatest of works, is not avaiable in the original form. All the availabe varsions are made up out of the translations of the notes and lecturers moted down by Aristotle's pupils. Our study of the Poetics is based only on its English translations. Aristotle was born in 384 B. C. at Stagira, modern Stavro, a small town on the north-east coast of the peninsula of Gchalcidice ner Macedonia. His stepfather was domestic doctor to King Amyntas II of Macedonia, and Aristotle may have picked up much information about medical work in boyhood. To this is often attributed his intense interest in physical science, especially in Biology and Physiology.
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Thursday, November 4, 2010

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Rchejara: Aesop

Rchejara: Aesop: "Aesop ( about 600 BC): He was a great slave who wrote fables, each with a moral."
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Saturday, October 30, 2010

Dr. Malcolm Sathianathan Adiseshiah

The eminent economist , educationist and institution builder died in Bombay on November 21, 1994 at the age of 84. A former Deputy Director General of UNESCO and a former Vice Chancellor of Madras University, he was honoured with Padma Bhushan in 1976 and also received several other awards.
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Thursday, October 28, 2010

Kumawat Samaj

http://raceit.inKshatriya Kumawat Samaj is mainly living in Madhya Pradesh, Rajasthan, Gujarat, Maharashtra, Delhi and Other part of India.
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